
1
2
3
3
2
1
1
2
3
1
2
3
3
2
1
3
2
1
L
SLEEVE
S
WIRING YOUR OWN CABLES ?
JACK
1
2
3
3
2
1
J
T
T
R
S
TIP
SLEEVE
TIP
SLEEVE
SLEEVE
RING
TIP
SLEEVE
RING
TIP
1/4" MONO PHONE
JACK
BANTAM (PATCHBAY)
ACK
TIP
RING
R
1/8" STEREO PHONE
JACK
1/4" STEREO PHONE
LSHEL
XLR MAL
E
VIEWED FROM THE BACK
OR SOLDER SIDE
SHEL
XLR FEMAL
E
VIEWED FROM THE BACK
OR SOLDER SIDE
XLR MAL
E
VIEWED FROM THE SIDE
XLR MAL
E
VIEWED FROM THE SIDE
MANLEY GEAR - THIS PAGE CAME WITH GEAR WITH TRUE TRANSFORMER
MANLEY GEAR - THIS PAGE CAME WITH GEAR WITH TRUE TRANSFORMER
BALANCED XLR INPUTS AND OUTPUTS. ANY 1/4" JACKS ARE
BALANCED XLR INPUTS AND OUTPUTS. ANY 1/4" JACKS ARE
UNBALANCED (NO
TRANSFORMER). TRANSFORMERS PROVIDE THE MOST "FORGIVING & FLEXIBLE"
TRANSFORMER). TRANSFORMERS PROVIDE THE MOST "FORGIVING & FLEXIBLE"
INTERFACES. OLDER MANLEY GEAR MAY NOT BE BALANCED OR PIN
INTERFACES. OLDER MANLEY GEAR MAY NOT BE BALANCED OR PIN
2=
HOT.
CHECK THE
ORIGINAL MANUAL
.
LANGEVIN - 1/4" JACKS ARE UNBALANCED AND MUST BE A MONO (T S) PLUG.
LANGEVIN - 1/4" JACKS ARE UNBALANCED AND MUST BE A MONO (T S) PLUG.
E
E
EITHER JOIN PINS 1 & 3 AT THE XLR
EITHER JOIN PINS 1 & 3 AT THE XLR
MAL
E
E
E
E
= SHIEL
FEMAL
FEMAL
MAL
MAL
FEMAL
RETURN
SEND
INSERT WIRING FOR PROJECT MIXERS
INSERT WIRING FOR PROJECT MIXERS
MANLEY SIDE
BALANCED HOOK-UPS
THE THIN LINES SHOW TWO VARIATIONS DEPENDINDING ON THE WIRE YOU USE
THE THIN LINES SHOW TWO VARIATIONS DEPENDINDING ON THE WIRE YOU USE
UNBALANCED
BALANCED OR
UNBALANCED
D
OR CONNECT THESE LINES AT THE
OR CONNECT THESE LINES AT THE
PHONE PLUG
A FEW GENERAL RULES
1) GROUND = CHASSIS = SHIELD = SLEEVE = PIN 1 on XLR
1) GROUND = CHASSIS = SHIELD = SLEEVE = PIN 1 on XLR
s
2) THE AES STANDARD FOR XLRs IS
2) THE AES STANDARD FOR XLRs IS
:
PIN 1 = SHIEL
D
PIN 2 = HOT (POS)
PIN 3 = LOW (NEG)
3) THE GENERAL CONVENTION FOR 1/4" STEREO, TRS JACKS &
3) THE GENERAL CONVENTION FOR 1/4" STEREO, TRS JACKS &
BANTAM JACKS FOR BALANCED SIGNALS IS
BANTAM JACKS FOR BALANCED SIGNALS IS
:
TIP = HOT (POS)
RING = LOW (NEG)
SLEEVE = SHIEL
D
4) THE GENERAL CONVENTION FOR 1/4" STEREO FOR STEREO
4) THE GENERAL CONVENTION FOR 1/4" STEREO FOR STEREO
APPLICATIONS (ie; HEADPHONES) IS
APPLICATIONS (ie; HEADPHONES) IS
:
TIP = LEFT
RING = RIGHT
SLEEVE = GROUND & SHIEL
D
5) THE GENERAL CONVENTION FOR 1/4" STEREO FOR INSERT
5) THE GENERAL CONVENTION FOR 1/4" STEREO FOR INSERT
APPLICATIONS (ie; PROJECT MIXERS) IS
APPLICATIONS (ie; PROJECT MIXERS) IS
:
TIP = OUT
RING = IN
SLEEVE = GROUND & SHIEL
D
6) 1/4" PHONE JACKS & TRS
6) 1/4" PHONE JACKS & TRS
PATCHBAY JACKS ARE DIFFERENT
PATCHBAY JACKS ARE DIFFERENT
SIZES AND SHOULD NOT BE MIXED UP. CONTACTS WILL BEND.
SIZES AND SHOULD NOT BE MIXED UP. CONTACTS WILL BEND.
7) 1/8" PHONE JACKS & BANTAM PATCHBAY JACKS
7) 1/8" PHONE JACKS & BANTAM PATCHBAY JACKS
ARE
DIFFERENT SIZES
AND SHOULD
NOT BE MIXED UP.
CONTACTS WILL BEND.
8) DO NOT TRUST THAT SOMEBODY ELSE
8) DO NOT TRUST THAT SOMEBODY ELSE
HAS THE SAME IDEAS
ABOUT COLOR CODES IN WIRES AS YOU. ALWAYS CHECK WITH
ABOUT COLOR CODES IN WIRES AS YOU. ALWAYS CHECK WITH
A CONTINUITY CHECKER OR VOM METER WHEN ATTACHING A
A CONTINUITY CHECKER OR VOM METER WHEN ATTACHING A
CONNECTOR TO ONE
END OF A BUILT CABLE.
9) USE GOOD SHIELDED WIRE,
9) USE GOOD SHIELDED WIRE,
SOLDER PROPERLY, & TEST
10) DON'T PANIC - IF AT FIRST YOU DON'T SUCCEED, TRY IT
10) DON'T PANIC - IF AT FIRST YOU DON'T SUCCEED, TRY IT
ANOTHER WAY. TRY CONNECTING XLR PINS 1 & 3. SOMETIMES
ANOTHER WAY. TRY CONNECTING XLR PINS 1 & 3. SOMETIMES
NOT CONNECTING THE SHIELD TO PIN 1 MAY HELP REMOVE
NOT CONNECTING THE SHIELD TO PIN 1 MAY HELP REMOVE
HUM. IF THE SIGNAL IS DOWN 6 dB, THEN IT
HUM. IF THE SIGNAL IS DOWN 6 dB, THEN IT
INDICATES ONLY 1/2
OF THE CABLE IS WORKING. CHECK THAT BOTH PINS 2 & 3
OF THE CABLE IS WORKING. CHECK THAT BOTH PINS 2 & 3
GET
TO THIER DESTINATION. IF SOMETHING SEEMS
TO THIER DESTINATION. IF SOMETHING SEEMS
OUT
OF
PHASE,
FIRST CHECK THAT ANY PHASE SWITCHES (FRONT
FIRST CHECK THAT ANY PHASE SWITCHES (FRONT
OR
BACK PANEL IS THE CAUSE. IF NOT.
BACK PANEL IS THE CAUSE. IF NOT.
SWAPPING THE WIRES
FROM PINS
2&
3
SHOULD EITHER FIX IT OR KILL THE SIGNAL
SHOULD EITHER FIX IT OR KILL THE SIGNAL
.
TROUBLESHOOTING
-T
RY
SWAPPING CHANNELS - TRY PLUGGING
SWAPPING CHANNELS - TRY PLUGGING
DIFFERENT CABLES IN TEMPORARILY. TRY PATCHING IN A
DIFFERENT CABLES IN TEMPORARILY. TRY PATCHING IN A
DIFFERENT PLACE OR DIFFERENT ORDER.
DIFFERENT PLACE OR DIFFERENT ORDER.
20
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